I am an enthusiastic listener of classical music and, putting aside all the crap that's uploaded there, I love the youtube
web site because there you can find some gems that are extremely
difficult to come across otherwise. The other day, for example, I
stumbled upon a collection of HD video clips where I found one of my
favourite pieces: Mozart's Sinfonia Concertante for Violin, Viola and Orchestra in E-flat major, K. 364 (320d).
The performance was quite good, with perfect image and sound. Since
this is not an easy piece to find, even in CDs, I thought it was nice to
share it with my two children who, happily, also like classical music. I sent the link to both of them via email. After a day or so, I
received a reaction from my daughter: "Strange, there are no women in this orchestra".
The clip was with the VPO (Vienna Philharmonic Orchestra), conducted
by Riccardo Muti, with Gidon Cremer (violin) and Yuri Bashmet (viola) as
soloists. I tried to explain to my daughter that this was a known fact,
that the VPO does not take women in their ranks. I have always despised
this policy and never truly had this orchestra in my heart, despite the
fact that it is considered to be one of the finest in the world. Moved
by curiosity, triggered by my daughter's quick reaction, I decided then
to do a little research on the VPO to try to understand a bit better the
reasons behind their strange policy.
It appears that the
"all-men" policy was true until 1997, and currently the orchestra boasts
four (!) women in their ranks. Big deal, the women have now a
representation of 3% of the players! This is an improvement, but a very
tiny step toward what we see in other prominent ensembles. Besides that,
there seems to be heavy criticism and claims implying that the
orchestra does not accept members belonging to ethnic minorities.
Although applicants to the orchestra are asked to play their auditions
behind a screen, when they are revealed to the eyes of the jury their
appearance is of major importance. Thus, there is a story going around
about an applicant that qualified himself as the best and, as the screen
was raised, the jury discovered he was a Japanese. The musician was not
engaged, because "his face did not fit with the Pizzicato-Polka of the New Year's Concert"!
More recently, in 2003, Yasuto Sugiyama, a world-class tubist from
the New Japan Philharmonic, was hired. From the beginning, it appears
that Mr. Sugiyama’s appointment was controversial, creating problems
within the brass section. Mysteriously, he was told that he did not
pass his trial year at the State Opera (mandatory) and was fired. Soon
afterwards, the same Mr. Sugiyama won the tuba audition for the
Cleveland Orchestra, one of the leading American orchestras known, among
other things, for its impeccable brass section!
Someone connected to the orchestra (no names here) tried to explain that their profession "makes family life extremely difficult, so for a woman it’s almost impossible".
Even in 1987, when he said that, this reasoning was already ridiculous.
He claimed also that there are many orchestras with women, so why not
having an orchestra with only men? And he goes on with even more
ridiculous assertions that a woman shouldn't play like a man, but like a
woman, whatever this may be.
However, the rigid policies of the
VPO go beyond male chauvinistic rules. In the string section, for
example, the instruments belong to the orchestra. Unlike other
orchestras, they don't allow personal instruments. This, apparently, is
to ensure the orchestra's unique string sound. But other famous
orchestras such as the Concertgebouw of Amsterdam and the Cleveland
Orchestra in the US, just to mention two, managed to have also a "unique
sound" that is recognized and well-loved all over the world, without
these constraints. So, what's the point?
In 2008, the British magazine Gramophone, one of the most prestigious
publications in the genre, put up a panel of top international
classical music critics together and ask them to come up with a list of the world's best orchestras.
The Concertgebouw came first, followed by the Berlin Philharmonic in
second place. Vienna ranked third. It is a darned good place, but they
were nevertheless outclassed by two other ensembles with mixed
participation. Was it really worth while all their fuss about keeping it
only a men's club? Wouldn't they be able to be as good the "normal"
way, like the others?
Anyway, ranking an orchestra is almost an
absurd idea since listening to music is a highly subjective thing. All
one can say is that there is a bunch of ten or so ensembles that
consistently perform at the top level. For the rest, it's your personal
taste and experience that makes you prefer one to the other. I have had
myself wonderful experiences with the Concertgebouw playing Brahms and
Mahler, Cleveland with Mozart, the Staatskapelle Dresden with Bruckner,
St. Petersburg with Russian composers and the New York Philharmonic with
American music. All these became my favourites...
The fact
remains that the essential role of any orchestra is to promote music
through its art and formation, thus becoming a symbol to all man and
women, making music accessible at all social levels. It is an
intellectual activity and, at least in this area, there should be no
discrimination. Still, I agree that a woman's brain functions
differently than ours. But in this case, I wholeheartedly join the
French and shout: "vive la différence"! My experiences of
working in a mixed environment were always excellent and, when a
manager, I kept striving for a proper balance in my team, though not
always successful because my profession, regrettably, does not seem to
attract women...
Thomas Jefferson's famous phrase in the US Declaration of Independence that "all men are created equal", is not politically correct anymore. We have come a long way since, and it should now read "all men and women are created equal".
The VPO is a great orchestra, but so are 10 or 20 others, without
applying absurd and rigid policies. The proud Austrian ensemble should
join the 21st century and take part in the evolution of mankind. An
orchestra is probably the best example of a large group of men and women
getting together in peace and with discipline, to provide the public
with one of the most beautiful achievements mankind has ever produced:
music!
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